Rent

Our company provides rental services for the most advanced digital cameras ARRI ALEXA

ALEXA – the most complete system for filmmaking and broadcasting; reference design, demanded all over the world. ARRI’s cameras have long and deservedly proven themselves in the field of film production. Movie cameras ARRI ALEXA can be used in film and in television production.
In television, ALEXA is able to simplify the technological process and provide significant savings in time and money. And in the cinema, a wide range of outputs, functions, optics and accessories will allow filmmakers to realize their creative ideas without running into technological limitations.

ARRI ALEXA

ALEXA – is a basic modular and modifiable system with a unique image performance.

Easy to use, reliable even in the most extreme conditions and versatile enough to cover a wide range of workflow and technical requirements. ALEXA camera will give you the opportunity to tell your story exactly as you think it should be said, with stunning brightness and clarity of images.

The camera allows you to work with the highest quality video using the unique ARRI matrix, and capture the signal in the most convenient codecs today – this is unprocessed ARRIRAW, with which you can work using technology similar to working with film, or shoot Apple ProRess HQ ready for video editing. These opportunities globally expand the scope of the camera – full-length films, series, commercials, music videos and much more.

ARRI ALEXA XT

ALEXA XT significantly improves the base model ALEXA. ALEXA XT comes with a new XR module on the side panel, which was developed in conjunction with Codex.

It is smaller, lighter, more affordable and provides ARRIRAW recording using a high-quality camera signal. by several indicators: the ability to record material with a resolution of 3.8K, built-in recorder recordings ARRIRAW, allowing to write to CODEX memory cards, built-in IRND filters, 4: 3 SUPER 35 sensor, sensor mode OPEN GATE, integrated capture CDL, LDS PL MOUNT, new bracket viewfinder, as well as a new super silent fan. These features will extend the benefits that the ALEXA camera has already achieved extraordinary success – high image quality and low production cost through reliability, ergonomics and efficient workflows.

ARRI ALEXA SXT

The newest camera, which this year has become the flagship of the company ARRI.

It continues the tradition of the ALEXA camera line, the distinguishing feature of which is reliability, versatility and most importantly – the excellently proven ALEV III sensor. Alexa SXT provides a wider selection of ProRes codecs: 2K and 4K ProRes Anamorphic, Open Gate ProRes 3.4K, which allows you to use it as a universal tool in film production and to cope with the maximum number of tasks. The main feature of the camera itself was the updated electronics and advanced image processing from ALEXA 65, as well as color management and noise reduction from ARRI AMIRA.

ARRI ALEXA MINI

Ultra compact ALEXA Mini weighing only 2.3 kg, combines the basic characteristics and capabilities of AMIRA and ALEXA XT models.

It is optimized for mobile use with stabilization systems, copters, cranes, etc. The compact size and light weight, as well as the presence of a wireless remote control, make the camera most convenient for mobile applications. Carbon-fiber body with hard titanium lens mount provides extra stability of the back section even with heavy zoom lenses. Symmetrical design allows you to shoot in any orientation. Numerous fixing points of the case allow working with new generation stabilization systems, multikopters, gimbals, stereo and other specialized rigs. The excellent sensitivity of the camera makes it ideal for underwater filming in the appropriate box.


ZOOM LENSES

ARRI and FUJINON have combined their vast knowledge to create a completely new family of modern zoom specifically for digital cinema. Using the latest optical technology and innovative production technology. ARRI / FUJINON Alura Zooms combine high optical performance with low weight and size.

Available for rent:
ARRI/FUJINON Alura Zoom 18-80/T2.6
ARRI/FUJINON Alura Zoom 45-250/T2.8
ARRI/FUJINON Alura Zoom 15.5-45/T2.8
ARRI/FUJINON Alura Zoom 30-80/T2.8

ARRI/FUJINON Alura Zoom 18-80/T2.6

ARRI/FUJINON Alura Zoom 45-250/T2.8

ARRI/FUJINON Alura Zoom 15.5-45/T2.8

ARRI/FUJINON Alura Zoom 30-80/T2.8


PRIME LENSES

MASTER PRIME

Master Prime Series – discrete lenses with maximum aperture, maximum resolution and maximum contrast.

Master Prime is the top line of lenses from ARRI / Carl Zeiss, one of the best manufacturers of optics for film production.

Master Primes lenses are revolutionary and unique, with incredible resolution and contrast. They outperform all standard lenses. Lenses allow you to work in very low or medium light, making the image look natural, while reducing the cost of additional lighting. In addition, the wide open shutter creates a cinematic effect of an extremely shallow depth of field. Lenses can be used in any lighting conditions. It doesn’t matter whether it’s a photo shoot with rich colors and high contrast, or it’s a night scene in a romantic atmosphere that is lit only by candlelight.

Full screen

ZEISS ULTRA PRIME

The Ultra Prime series is top-quality lenses from Carl Zeiss in collaboration with ARRI. They meet all the requirements of filmmaking. All lenses have the same optical characteristics, guaranteeing a high image quality of 35 mm format, obtained when shooting different scenes with lenses with different focal lengths. Differ in high resolution and contrast. Ultra Prime lenses are characterized by reliability, durability, uniform levels of contrast and brightness, the absence of edging in the chroma signal throughout the focus range and the effect of “breathing”.

Full screen

ZEISS PRIME HI-SPEED

Zeiss Prime Hi-speed is an ultra-high-aperture ruler from true masters. Experienced filmmakers have already appreciated the high-speed parameters of the line, with which only the series of Arri Master Prime can be compared. It is on the basis of this line was a series of Arri Master Prime. Separately, I would like to draw your attention to the fact that this line fully covers 5K resolution. When and wherever you shoot, optics will open up new creative horizons for you, since lenses retain their optical characteristics throughout the length of the aperture scale from T1.3 to T22. If you are shooting during the day in an open area with bright lighting and high contrast, or a night scene in a dark room, the lens line allows you to use one set for absolutely all shooting situations due to its versatility.

Full screen

COOKE S4

The Cooke S4 lens line has high optical and mechanical characteristics. The multilayer coating used for their production provides a special character of the image, which in the world of cinema is called «look Cooke» – soft, with rich warm tones. All S4 lenses have an Arriflex PL mount and an 8-aperture diaphragm. The original design of the optical system retains high optical characteristics even with large values ​​of the geometric aperture and any illumination, it allows to obtain images without glare, distortion and spherical aberrations.

Full screen

COOKE S5/i

Full screen

ANAMORPHIC LENSES

CARL ZEISS MASTER ANAMORPHIC

Master Prime Series – discrete lenses with maximum aperture, maximum resolution and maximum contrast.

Master Prime is the top line of lenses from ARRI / Carl Zeiss, one of the best manufacturers of optics for film production.

Master Primes lenses are revolutionary and unique, with incredible resolution and contrast. They outperform all standard lenses. Lenses allow you to work in very low or medium light, making the image look natural, while reducing the cost of additional lighting. In addition, the wide open shutter creates a cinematic effect of an extremely shallow depth of field. Lenses can be used in any lighting conditions. It doesn’t matter whether it’s a photo shoot with rich colors and high contrast, or it’s a night scene in a romantic atmosphere that is lit only by candlelight.

Full screen

COOKE ANAMORPHIC

The Ultra Prime series is top-quality lenses from Carl Zeiss in collaboration with ARRI. They meet all the requirements of filmmaking. All lenses have the same optical characteristics, guaranteeing a high image quality of 35 mm format, obtained when shooting different scenes with lenses with different focal lengths. Differ in high resolution and contrast. Ultra Prime lenses are characterized by reliability, durability, uniform levels of contrast and brightness, the absence of edging in the chroma signal throughout the focus range and the effect of “breathing”.

Full screen